Tales of a Red Clay Rambler: A pottery and ceramic art podcast
Arts:Visual Arts
Today on the show I welcome back Doug Peltzman. A few years ago he made a major shift in his studio practice, essentializing his approach to surface design to create a new aesthetic. In our interview we talk about following the kernel of an idea, and re-engaging his customers after a major change in the studio. To see examples of his work visit www.dougpeltzman.com.
Hey Red Clay Rambler Fans, for the month of December I’m having a merch sale, including our brand new long sleeve t-shirt hoodie. It’s made from a soft triblend fabric that stretches with you while keeping you warm in the studio. Use the code REDCLAYRAMBLER at checkout to get 20% off your purchase at www.talesofaredclayrambler.com/shop.
Today’s episode is brought to you by the following sponsors:
AMACO Brent www.amaco.com
The Bray www.archiebray.org
The Rosenfield Collection of Functional Ceramic Art www.Rosenfieldcollection.com
355: Kate Roberts on the ephemeral nature of her sculpture
354: George Rodriguez on sculpture, personal identity, and community building
353: Fall Fund Drive: Natania Hume on selling small batch wholesale through home stores
352: Fall Fund Drive: Marty Gross on the Mingei Film Archive
351: Fall Fund Drive: The Studio Potter goes digital as it approaches fifty years of storytelling
350: Fall Fund Drive: Bill Brouillard on our reverence for technology
349: Angelik Vizcarrondo-Laboy on increasing the visibility of artists of color
348: Graham Taylor on heritage pottery and experimental archeology
347: Jennifer Ling Datchuk on understanding identity and womanhood
346: Bob Batchelor on the rise, fall and rebirth of Rookwood Pottery
345: Audra Doughty on adapting community-based education to the COVID era
344: Lindsay Montgomery on the subversive nature of her Maiolica ceramics
343: Celebrate Clay Week 2020 with Walter Ostrom on the conceptual potential of pottery
342: Ann Carrington on upcycling found objects to create sculpture
341: Jamie Bates Slone on using the figure to represent mental states
340: Sara Truman on building relationships and increasing student investment in a high school ceramic program
339: Sharif Bey on the power of art to sustain and connect communities
338: Guillermo Cuellar on Mingei and the challenge of restarting his pottery in a new country
337: Mike Cinelli on using color triads from comic books to create visual punch
336: Diana Benavidez on the art and politics of her piñatas
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