For today’s episode, we’re bringing you the second half of the Repertory workshop featuring Shakespeare’s Twelfth Night
In the fist scene: Viola (as Cesario), is on her way to see Olivia, and encounters first the Fool Feste and then Sir Toby and Sir Andrew. Olivia, meeting Cesario, sends the others away and declares her love.
Then in our second scene - Malvolio, who (according to the mischievous letter he received) is dressed with yellow stockings and is smiling grotesquely, appears before an astonished Olivia. Thinking him insane, Olivia puts him in the care of Sir Toby, who decides to treat him as a madman by having him bound and put in a dark room. Toby also decides to deliver Sir Andrew’s challenge to Cesario in person in order to force the two of them into a duel. Terrified, they prepare to fight.
Act 3, Sc 1:
FESTE – Garrett Botts
VIOLA – Sara Mountjoy-Pepka
OLIVIA – Michele Schultz
SIR TOBY – Jamal Douglas
SIR ANDREW – Janet Greaves
Act 3, Sc 4:
VIOLA – Michele Schultz
OLIVIA – Sara Mountjoy-Pepka
MARIA – Erika Rolfsrud
MALVOLIO and SIR ANDREW – Janet Greaves
SIR TOBY – Jamal Douglas
FABIAN – Garrett Botts
DIRECTOR: Elizabeth Swain
DRAMATURGS: Gideon Rappaport and Philippa Kelly
VOICE COACHES: Ursula Meyer and Scott Ferrara.
Prefer to watch the session? Find it here on YouTube!
Join us for Comedy of Manners in the Rehearsal Room ONLINE with director Brendon Fox - sessions begin February 3rd!
Registration for Actors open through Sunday, January 23rd - grab your spot here. Plenty of room for virtual audience too.
---
Get your copy of "10 Ways to Stop Worrying and Start Working!"
See additional content on Facebook, Twitter, Instagram, and YouTube.
---
The WAJ podcast is designed to show you HOW the work is done, WHAT the realities of the working actor life are like, and to share all the different ways actors have come to this career. There is no one path and no single answer. We want to learn from all of those further down the road, to shorten the learning curve and to discover what helps and what doesn’t when it comes to having a lifelong career as an actor.
A Tribute to Philip Bosco, with Armin Shimerman and Peter Van Norden
Ep #15: Dawn Didawick on Being a Sponge, No Credentials, and Daring to Fail
Text Work: Dickey's The Rembrandt with Francis Guinan
Ep #14: Steppenwolf's Francis Guinan on Being Blue Collar and Slightly Undisciplined
Ep #13: Tony-Winner Reed Birney on Actor Despair and Roles That Scare You
Updates: Premium Membership and Monthly Schedule
Season 2 Trailer
What's next for The WAJ? You decide!
Text Work: Mini-Shakespeare Master Class with Dakin Matthews
Ep #12: Dakin Matthews on Acting the Classics and Your Artistic Family
Ep #11: Ben Whitehair on Building Relationships and Intelligent Rule-Breaking
Ep #10: Gigi Bermingham on Being a Misfit and Living Her Dream
Ep #9: Clyde Kusatsu [Part 2] on Recovery, Preparation, and Serving the Project
Ep #8: Clyde Kusatsu [Part 1] on Discipline and Being 10x Better
Text Work: Pinter's The Hothouse with Peter Van Norden
Ep #7: Peter Van Norden on Finding Vulnerability and Work Making Work
Text Work: Bartlett's King Charles III with Nike Doukas
Ep #6: Nike Doukas on Determination and Embracing Emotion
Text Work: Stoppard's Rosencrantz and Guildenstern are Dead with Geoffrey Wade
Ep #5: Geoffrey Wade on People vs. Characters and Doing Your Job
Create your
podcast in
minutes
It is Free
The Marty Ray Project: Chats
What’s the Res?
It’s All An Act
Grimms’ Fairy Tales
Just So Stories
The Magnus Archives
The Moth