The New York Times’s film critic Alissa Wilkinson has a theory about movies: They’re all about relationships. No matter how big the action, the suspense and tension we experience when watching a film is often really about the feelings between the characters.
But romantic relationships often fall back on old tropes, like the long-suffering wife of an ex-cop who can’t resist that one last, risky case. (We all know her; she leaves teary voice messages urging him to be safe.) Some of this year’s Oscar-nominated films give us fresher portraits of love. Alissa and our host, Anna Martin, discuss the relationships that defy convention or easy definition, and push us to reconsider how we think about human connection, in three of those movies: “Poor Things,” “Maestro” and “Past Lives.”
The Day My Family Changed Forever
The Gift of Holiday Men
Sex on the Run? No, We Parked.
What I Got Wrong About My Parents’ Marriage
For a 30-Year-Old Virgin, It’s Now or Never
The Marriage Proposal That Wasn’t
We Dated for Three Years. He Forgot It All.
He Ghosted. I'm Grateful.
Dating Advice From Jay Shetty
The Healing Power of Love (Island)
How a $100 Bet Saved Our Relationship
Stop Looking for the Perfect Partner
I Imagine Him Here
Dominate Me, but Not Like That
Questions I Can’t Ask My Father
The Tricky Geometry of a Throuple
I Promised God It Was the Last Time
Your Weirdest Dates
A Bond Thicker Than Blood
No More Hiding
Create your
podcast in
minutes
It is Free
Myths and Legends
Real Crime Profile
Who? Weekly
Flash Forward
The Axe Files with David Axelrod