Episode 316 features guests Lina Barkawi, a Tatreez practitioner, preservationist, and educator based in Brooklyn, alongside Eman Toom, a Palestinian Tatreez artist, teacher, sewer and crafter.
“Part of just doing tatreez, in my personal opinion, is a form of resistance because we’re basically just existing and we’re showing our Palestinian identity, but there have also been very explicit uses of tatreez as a form of resistance. And so you have thobes that came out of the intifadas in the ‘90s where the flag was banned and so these are very explicit uses of tatreez where they would stitch literally the Palestinian flag. Or different motifs, like new motifs that came out of representing national identity and things like that. So, I just wanted to mention that because there have been very explicit forms of resistance, but I think the more subtle ways is kind of where Eman and I are playing a very big role in — is thinking about how do we help just bring more Palestinians into this art form and help them reclaim this art form and use it, because just by doing that, no matter what your color preferences are, whatever your background is, that is just in and of itself a form of resistance against an occupier.” -Lina
“The technique and the skill that you’re using to create these motifs — it is at its simplest form, a form of cross stitch. There’s other forms of tatreez, but for the most part, it is that. But what I try to always remind people is that tatreez is so much more than that, in the sense that it is a record of our history. You know, the more that we study Palestinian embroidery, the more that we’re studying tatreez, the more that we’re studying the history of Palestine at the same time. You can’t have one without the other, they go hand in hand.” -Eman
When we think about sustainability, what’s the first thing that comes to mind? Perhaps curbing our addiction to consumption, mass manufacturing, and circular materials. But what about cultural sustainability, craft, connection to ancestral land, and challenging colonization through continuing to uplift centuries old traditions?
In this week's episode we learn from our guests about how Tatreez inherently IS sustainability. The motifs and symbols embroidered on cloth are a language of symbols documenting spaces in time, they tell stories of nature, the flora and fauna around the Women making them. We learn that the hand made process is the antithesis to homogeneous fashion - it is slow, considered and truly one of a kind.
In 2021 the art of embroidery in Palestine was recognized by UNESCO as an important intangible cultural heritage - an artform that connects the Palestinian people to their roots. Preserving culture is inherently and naturally, as our guests share - sustainability. It needs no labels, or commodifying - it is made up of the everyday rituals, traditions, craft and practices that celebrate identity.
Quotes & links from the conversation:
“The Land In Our Bones” by Layla K. Feghali, book Kestrel brings up briefly
Lina’s Landing Page
Listen to Tatreez Talk (Lina’s new podcast)
Eman’s Website
Follow Lina on Instagram
Follow Eman on Instagram
Scientist Dr. Lisa Erdle of 5 Gyres on what we know about microfiber shedding from clothing & the solutions can make an impact
Liz Spencer of Dogwood Dyer on growing organic natural dye gardens to coax color from plants & acknowledging the cultural origins of dyestuffs along the way
Researcher Anjana Baburaj on the pervasiveness of Shein & the ways in which social media and the drive to increase social status are directly fueling the overconsumption of clothing
Lizz Leral of Quilting For Community on the links between quilting and mental health, and how accessing the flow state via hand-oriented activities can help unlock answers to life's questions
Kelly Drennan of Fashion Takes Action on the importance of youth education that centers fashion's impact on people + the planet
Rayouf Alhumedhi, creator of the hijab emoji, on examining Gen Z's shopping behavior & highlighting why product designers should rethink existing product before designing new
Jeff Garner of Prophetik on how synthetic fabrics & toxic chemicals connected to our clothing are impacting our health
Jenna & Jon of Revival Eyewear on what makes deadstock vintage eyewear superior in quality & how conglomerate Luxottica has created a monopoly-like hold on today's glasses industry
Denica Riadini-Flesch of SukkhaCitta on rediscovering Indigenous regenerative farming and dyeing techniques & challenging the status quo
Abby Mills (aka @abbyontheinternet) on the de-influencing *trend* & questioning whether this movement can help us combat overconsumption
Samata Pattinson, the CEO of RCGD Global on their Sustainable Style Guide, how it's being distributed to all attendees of Academy events this Oscar® season & the power of generative conversations
Amy Powney of Mother Of Pearl on the new documentary *Fashion Reimagined* and the need to reconnect to the people, the land & the process behind our clothes
Trish Langman of Sovereignty on the need for comprehensive fashion education from childhood and beyond, to help collectively shift awareness about how our clothes are made
Sage Paul of Indigenous Fashion Arts on why thinking sustainably is innately an Indigenous cultural practice & why we must see Indigenous designers on a global stage
Doen's Director Of Impact Kristine Kim on their 2030 Roadmap & the importance of welcoming discomfort when navigating value chain impact work
Kelly Lottahall on making art out of old clothes and bringing the fashion & art worlds together to tell stories about *waste culture*
Angel Chang on why listening to Indigenous knowledge & preserving textile traditions can offer solutions for a more sustainable future
Kristin Morrison of All Species asks: what if we *embodied* our garments by actually wearing the land?
Katia Dayan Vladimirova on The Hot Or Cool Institute's new report, what a 1.5 degree wardrobe could look like & questioning how much is enough
What are *healthy clothes* & understanding that our clothing actually enters and impacts our bodies
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