Light The Fuse - The Official Mission: Impossible Podcast
TV & Film:Film Interviews
John Knoll is one of the most legendary visual effects artists in history. He also served as the visual effects supervisor for both the first “Mission: Impossible” and “Mission: Impossible – Ghost Protocol.” He talks about the shot he did on the first film to get his name in the opening credits, working with “Mission: Impossible – Ghost Protocol” director Brad Bird on the unmade earthquake epic “1906” and we get his Tom Cruise hair rankings.
This episode was originally released in February 2020.
You can own “Mission: Impossible – Dead Reckoning” on digital and 4K HD, Blu-ray and DVD now.
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In the Cutting Room with Editor Eddie Hamilton (Part Two)
Making the Cut with Editor Eddie Hamilton (Part One)
Going Deep on "Dead Reckoning" with Simon Pegg
Telling Ghost Stories with Charles Parnell
What Makes "Mission: Impossible – Dead Reckoning Part One" Work with Bilge Ebiri (Part Two)
Critical Analysis with Bilge Ebiri (Part One)
Why We Love Mission: Impossible
Composer Lorne Balfe Hits All the Right Notes (Part Two)
In the Studio with Composer Lorne Balfe (Part One)
Rebecca Ferguson’s Adventures with Ilsa
Henry Czerny on the Evolution of Kittridge (Part Two)
Henry Czerny on Kittridge's Unlikely Return (Part One)
Pom Klementieff’s Killer Instinct
Inside the Action with the Cast of “Mission: Impossible – Dead Reckoning Part One”
Hayley Atwell Graces Us With Her Presence
How Simon Pegg ended up in Mission: Impossible
When in Rome with Tom Cruise & Christopher McQuarrie
Introducing Light the Fuse - The Official Mission: Impossible Podcast
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