How does a composer capture the spirit of a country, especially if it's not his native land? Mendelssohn, in his Italian Symphony, gives us one of the best examples of someone doing just that, giving us a tightly integrated, yet highly independent set of 4 snapshots from his travels all over Italy. And yet, despite the piece being called the Italian Symphony and being indelibly associated with the country, the symphony remains a relatively traditional 4 movement German classical symphony. What we hear then is a brilliant amalgamation of a symphony and a tone poem that is among the first of its kind. The symphony tells no story, has no narrative, and yet, when we finish the breathless Tarantella that ends the piece, we feel like we’ve been flicking through a photo album of Felix’s vacation, smiling (mostly) all along the way. Today we’ll talk all about how Mendelssohn builds this symphony and how each movement captures such a distinctive character, while remaining Mendelssohnian to its core - kind, warm-hearted, and full of bubbling energy. Join us!
Beethoven Symphony No. 1
Overtures, Overtures, Overtures!
Bach Cello Suites
Haydn & Henle w/ Stephen Hough and Norbert Müllemann
Baroque Music in 60 Minutes
Mozart, "The Marriage of Figaro," Part 2
A Conversation with Frederica Von Stade
Introduction to Opera + Mozart, Marriage of Figaro (Part 1)
Renaissance Music in 60 Minutes
William Levi Dawson, "Negro Folk Symphony"
Nathan Milstein, Django Reinhardt, Playing with Only Two Fingers, and More, w/ Clayton Haslop
Bartok Divertimento for String Orchestra
Medieval Music in 60 Minutes
Beethoven Violin Concerto
Berlioz, "Symphonie Fantastique"
History of Classical Music in 60 Minutes
Schubert Symphony No. 9, "The Great"
Stravinsky, The Rite of Spring, Part 2
Tchaikovsky, The Nutcracker
Stravinsky, The Rite of Spring, Part 1
Create your
podcast in
minutes
It is Free
Irish Songs with Ken Murray
Immediately Kinfolk
Turned On
Resident by Hernan Cattaneo
Markus Schulz presents Global DJ Broadcast