Ross Gay's "The Book of (More) Delights"
Thea Lenarduzzi's Dandelions
Colin Dickey's "Under the Eye of Power"
Maya Binyam's "Hangman"
Prudence Peiffer's "The Slip: The New York City Street That Changed American Art Forever"
Andrew Leland's "The Country of the Blind"
Koritha Mitchell and Michelle Lanier on Harriet Jacobs's “Incidents in the Life of a Slave Girl”
D. Smith's "Kokomo City" and Claire Simon's "Our Body"
Heidi Julavits’s “Directions to Myself"
Wes Anderson and Jake Perlin's "Do Not Detonate Without Presidential Approval"
John Yau's "Please Wait By the Coatroom: Reconsidering Race and Identity in American Art"
Juana María Rodríguez's "Puta Life: Seeing Latinas, Working Sex"
Rachel Nuwer's "I Feel Love: MDMA and the Quest for Connection in a Fractured World"
Kristin Ross' "The Politics and Poetics of Everyday Life"
Martine Syms' "Loser Back Home"
Craig Seligman's "Who Does That Bitch Think She is? Doris Fish and The Rise of Drag"
Joanna Biggs' "A Life of One’s Own"
Gary Indiana's "Do Everything In The Dark"
Publishing in Peril? Lisa Lucas and Christian Lorentzen
Hunter Hargraves' "Uncomfortable Television" and Phillip Maciak's "Avidly Reads: Screentime"
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