The stereotypical obituary is a formulaic recitation of facts — dry, boring, and without craft. But Margalit Fox has shown the genre can produce some of the most memorable and moving stories in journalism. Exploiting its “pure narrative arc,” Fox has penned over 1,200 obituaries, covering well-known and obscure subjects with equal aplomb.
In her conversation with Tyler Cowen, Fox reveals not only the process for writing an obituary, but her thoughts on life, death, storytelling, puzzle-solving, her favorite cellist, and how it came to be that an economist sang opera 86 times at the Met.
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Anna Keay on Historic Architecture, Monarchy, and 17th Century Britain
Jessica Wade on Chiral Materials, Open Knowledge, and Representation in STEM
Jonathan GPT Swift on Jonathan Swift
Tom Holland on History, Christianity, and the Value of the Countryside
Yasheng Huang on the Development of the Chinese State
Brad DeLong on Intellectual and Technical Progress
Glenn Loury on the Cover Story and the Real Story
Paul Salopek on Walking the World
Rick Rubin on Listening, Taste, and the Act of Noticing
Katherine Rundell on the Art of Words
Conversations with Tyler 2022 Retrospective
John Adams on Composing and Creative Freedom
Jeremy Grantham on Investing in Green Tech
Ken Burns on the Complications of History
Mary Gaitskill on Subjects That Are Vexing Everybody
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