Kitty Green’s new ROYAL HOTEL takes the rural Australian bar-culture setting of 1971’s WAKE IN FRIGHT and explores how placing two young women in the role of outsider changes the threat level. We start this week by parsing the film’s micro- and mega-aggressions, and whether those inflicting them are capital-B Bad men, or just regular men wrapped up in bad power dynamics. Then we bring WAKE IN FRIGHT back in to consider how both films are on some level about the intertwined desires for identity and acceptance, as well as alcohol’s deleterious effect on both.
Please share your comments, thoughts, and questions about WAKE IN FRIGHT, ROYAL HOTEL, or anything else in the world of film, by sending an email to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730.
Next Pairing: Martin Scorsese’s KILLERS OF THE FLOWER MOON and Delmer Daves’ BROKEN ARROW
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#252: Family Feuds, Pt. 1 — The Ice Storm
#251: Byrne-ing Down the House, Pt. 2 — David Byrne's American Utopia
#250: Byrne-ing Down the House, Pt. 1 — True Stories
#249: Bonus - The Fall (with Elliott Kalan from "The Flop House")
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#247: Parent Traps, Pt. 1 — Dogtooth
#246: True/False, Pt. 2 — Dick Johnson is Dead
#245: True/False, Pt. 1 — F For Fake
#244: Bonus - Mulan (2020)
#243: The Mind of Charlie Kaufman Pt. 2 — I'm Thinking of Ending Things
#242: The Mind of Charlie Kaufman Pt. 1 — Being John Malkovich
#241: Boys Will Be Boys, Pt. 2 — Boys State
#240: Boys Will Be Boys, Pt. 1 — Lord of the Flies (1963)
#239: The Reichardt Way, Pt. 2 — First Cow
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#236: In the Loop, Pt. 1 — Groundhog Day
#235: Mirth, Wind & Fire, Pt. 2: Eurovision Song Contest: The Story of Fire Saga
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