Muriel Zagha reviews Marriage Story and considers a few other deserving/undeserving films either lauded or ignored by this year's awards panels; a clip from an interview with Francesca Wade, the author of Square Haunting: Five women, freedom and London between the wars (you'll find the full interview in your podcast feed); this month marks the 200th anniversary of the birth of Anne Brontë, the sister whose reputation has been slowest to blossom but who, according to Samantha Ellis, was the most radical and modern of them all
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Mozart the Happy Harlequin and Lost British Labourism
A Bengali Polymath and an ‘Accidental Modernist’
‘But Where’s the Poetry?!’
D. H. Lawrence in Flames
Jane Austen and Abolition
Angela Thirkell’s Relentless Self-Belief
Pirandello’s Controlled Chaos
Violence Upon the Roads
Underground and on the Run
Getting Shakespeare’s Measure
Philip Roth, For Better, For Worse, Forever?
Dreams of America
Myth-busting, awkwardness, pure Marvellousness
Vivian Gornick’s Time
Avoidance and absurdity
Ishiguro’s AI and Grendel’s Mother
Nostalgia, Outsiders and "Rubber Tramps"
Weapons, Grouse and Red Herrings
Tentatively Pressing
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