In this episode, I explore Yasujiro Ozu's 1949 classic, "Late Spring." Setsuko Hara stars as 27-year-old Noriko who feels a strong bond with her widower father and prefers to live with him instead of getting married. Worried that he will doom his daughter to an unfulfilling life, Noriko's father claims that he intends to re-marry and insists that Noriko have a life of her own with a husband. I talk about Ozu's life, why his directing style is unique, and why this film moves me so deeply. I focus on the relationship between Noriko and her father, and I question why we prioritize romantic love and often do not acknowledge the power of other kinds of love, like that for our parents or our friends.
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Original artwork by Dhiyanah Hassan
Full show notes:
Listen to episodes mentioned:
The Keepers, Big Little Lies, and Broadchurch
Elem Klimov's 'Come and See' (1985)
Ettore Scola's 'A Special Day' (1977)
Mathieu Amalric's 'Le Stade de Wimbledon' (2001)
Herk Harvey's 'Carnival of Souls' (1962)
Agnieszka Holland's 'The Secret Garden' (1993)
Lee Chang-dong's 'Poetry' (2010)
Andrea Arnold's 'Fish Tank' (2009)
Laura Citarella and Veronica Llinás's 'Dog Lady' (2015) and Notes on a Cinema of the Unruly Woman
Barbara Loden's 'Wanda' (1970)
Katell Quillévéré's 'Heal The Living' (2016) and Radu Jude's 'Scarred Hearts' (2016)
Vadim Perelman's 'House of Sand and Fog' (2003)
Sally Potter's 'The Tango Lesson' (1997)
Agnès Varda's 'Vagabond' (1985)
Two Made-For-TV Movies from the 1990s - Christopher Leitch's 'She Fought Alone (1995) and Marina Sargenti's 'Lying Eyes' (1996)
Alain Resnais's 'Hiroshima Mon Amour' (1959)
Abdellatif Kechiche's 'Blue is the Warmest Color' (2013)
Ken Loach's 'I, Daniel Blake' (2016)
Abbas Kiarostami's Koker Trilogy
Abbas Kiarostami's 'Where Is My Friend's House' (1987) and Mohammad-Ali Talebi's 'Willow and Wind' (2000)
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