Today, I am so thrilled to announce my interview with the executive director of the Shubert Organization Charles Flateman. Charles is also the chairman of the board of NYC and Company, the CEO of Audience Rewards, and the co-founder of Broadway Inbound. Tune in today to hear some of the insights of his great career, including how theaters are assigned to different shows, Bette Midler’s special dressing room demand, what Elaine Stritch was like to work with, the unfortunate case of The Scottsboro Boys, how Broadway ticket prices are set, the “lift-and-shift” process of ticketing The Music Man, how he first became aware of Covid, the reason behind the naming and renovation of the James Earl Jones Theatre, and so much more. You won’t want to miss this fascinating conversation with one of Broadway’s producing insiders.
Richard Seff
John Weidman
Eileen Casey
Tom Jones
Michael Rupert Part 2
Michael Rupert Part 1
Steve Ross Part 2
Steve Ross Part 1
Marie’s Crisis
Lee Roy Reams Part 2
Lee Roy Reams Part 1
Anita Gillette
Chuck Cooper
Penny Fuller Part 2
Penny Fuller Part 1
Sondra Lee
Charles Busch Part 2
Charles Busch Part 1
Gerard Alessandrini
Rita Gardner
Create your
podcast in
minutes
It is Free
The Marty Ray Project: Chats
What’s the Res?
It’s All An Act
The Count of Monte Cristo
A Tale of Two Cities
The Magnus Archives
The Moth