This episode of Season 5 of the BSP Podcast features Giuseppe Torre, University of Limerick, Ireland. The presentation is taken from our 2020 annual conference: ‘Engaged Phenomenology’ Online.
ABSTRACT: With respect to digital technologies, noise is something that is at once both fought and sought. We may wish to minimise noise in communications but require it for encrypting the very content communicated. We may wish to minimise noise when recording sound but also want to use it to improve the fidelity of the recording process. The catch is that noise is both an abstract idea and a concrete thing that does not sit comfortably in relation to systems that are deterministic/probabilistic, such as digital technologies. This is a fact that computer scientists know well but that is systematically overlooked in order to safeguard and improve the functioning of digital technologies, such as digital instruments. Indeed beyond the plethora of different kinds of noises, the comparison between analogue and digital technologies highlights the existence of just two types of noise: one that is naturally occurring (noise) and one that is humanly constructed (pseudo-noise). Digital technologies operate by moving from noise to pseudo noise, in order to then 1) crystallise reality into mathematical constructs and 2) create realities from mathematical constructs. This makes the digital realm a type of technology different from any other, namely, one in which noise is fiercely fought and used for the digitisation process but then relentlessly sought, and always denied, within the digital realm. This observation points to at least two further implications: one is that noise may point to essential differences between analogue and digital technologies; the second is that the presence or absence of noise may lead to either crippled or diverse phenomenologies. To this extent, digital technology, rather than revealing by challenging (Heidegger), has more to do with enabling a psychotic stance towards reality - one in which reality has been made to conform to our mathematically constructed idea of it … and one which might be too much even for a phenomenologist to overcome. These arguments will be developed from the perspective of a digital art practitioner.
BIO: I am a lecturer in Digital Arts at the University of Limerick (Ireland). My research interest lies at the crossroads between digital art practices, open source technology/culture and philosophy. These interests respond to a questioning of the relationships between art and technology and that has so far led me to question under what forms and forces truly creative efforts may, or may not, arise.
This recording is taken from the BSP Annual Conference 2020 Online: 'Engaged Phenomenology'. Organised with the University of Exeter and sponsored by Egenis and the Wellcome Centre for Cultures and Environments of Health. BSP2020AC was held online this year due to global concerns about the Coronavirus pandemic. For the conference our speakers recorded videos, our keynotes presented live over Zoom, and we also recorded some interviews online as well. Podcast episodes from BSP2020AC are soundtracks of those videos where we and the presenters feel the audio works as a standalone: https://www.britishphenomenology.org.uk/bsp-annual-conference-2020/
You can check out our forthcoming events here:
https://www.britishphenomenology.org.uk/events/
The British Society for Phenomenology is a not-for-profit organisation set up with the intention of promoting research and awareness in the field of Phenomenology and other cognate arms of philosophical thought. Currently, the society accomplishes these aims through its journal, events, and podcast. Why not find out more, join the society, and subscribe to our journal the JBSP? https://www.britishphenomenology.org.uk/
Prabhsharanbir Singh - The Auseinandersetzung with Colonialism and the Oblivion of Other Beginnings in Heidegger’s History of Being
Salvatore Spina - “Sacrificing for Being”: Opfer and Seinsfrage in Heidegger’s Black Notebooks
Lin Ma - On the Double Role of Going-Under in the History of Beyng – Thinking beneath and beyond Heidegger’s Ponderings in the Black Notebooks
Matthew Kruger-Ross - What can Heidegger teach us? After the Black Notebooks
Gülben Salman - From Pseudos to Falsum: Heidegger on Truth
Niall Keane - The World as Natural or Abysmal? The Threat of Naturalism and the History of Beyng
Babette Babich - Heidegger on Nietzsche’s ‘Rediscovery’ of the Greeks: Machenschaft and Seynsgeschichte in the Black Notebooks
Ullrich Haase - How can the Black Notebooks Enlighten us about the Question for the History of Being?
Zeigam Azizov – Without Origins: Husserl’s ‘temporal objects’ in the light of nonessentialist thinking
Tingwen Li – What If We Exclude Ready-mades from the Artworld?
Tarjej Larsen – Husserl's Circularity Argument for the Epoché
Rona Cohen – “Taking Flesh” in Heidegger: On Dasein’s Bodying Forth
Rhoda Ellis – Being, the Gallery and Virtual Reality: An Artist’s Take on Building
Philip Tovey – Temporal range, future mandate and strategic shaping; the existential and cognitive phenomenological ethics of preventative policing
Peter Wilson – Phenomenology and causal entities in psychiatry
Marcel Dubovec – The Inner Structure of Heidegger’s Concept of Freedom
Lorenzo Girardi – The Constitution of the One World: Faith in Husserl’s Philosophy
Julio Andrade – Normative provisionality as a means to navigate Levinasian infinite responsibility
James Rakoczi – Moving without movement: Merleau-Ponty’s “I can” in cases of global paralysis
Jack Price – Adorno and Scheler on Action and Experience
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