This week’s guest is Farhana Bhula, the Head of Creative at Film4, where she has overseen production on a mix of projects from debut to established filmmakers.
Those projects include How to Have Sex by Molly Manning Walker, Layla by Amrou Al-Kadhi and All Of Us Strangers by Andrew Haigh starring Paul Mescal and Andrew Scott.
She joined Film4 in 2022 from the BFI where she was a Senior Development and Production Executive and worked on Scrapper by Charlotte Regan, Pretty Red Dress by Dionne Edwards, Reggie Yates’ Pirates, Aml Ameen’s Boxing Day, debbie tucker green’s ear for eye, Ben Sharrock’s Limbo and Aleem Khan’s After Love.
Prior to the BFI, she was head of development at Wildgaze Films (Brooklyn, An Education) and a development executive at Endor Productions. She has also produced shorts and a micro-budget feature.
We talk about how she discovered development was a thing and why she felt suited to it, her roles at Wildgaze Films and the BFI Film Fund, the differences between working for a public funding body and a public service broadcaster, what she thinks makes a good debut feature and how she creates a good working relationship with filmmakers, the impetus behind the recent Future Takes scheme and the book she thinks is a must-read if you work in development…
SHOW NOTES
Episode 021: Amy Smart
Episode 020: Alexzandra Jackson
Episode 019: Rachel Clark
Episode 018: Jen Moss
Episode 017: Ruka Johnson
Episode 016: Catherine Slater
Episode 015: Chloe Trayner
Episode 014: Harry Wootliff
Episode 013: Síle Culley
Episode 012: Jo Duncombe
Episode 011: Jude Lister
Episode 010: Loran Dunn
Episode 009: Jordan McGarry
Episode 008: Beccy Ashdown
Episode 007: Emma Duffy
Episode 006: Caragh Davison
Episode 005: Delphine Lievens
Episode 004: Maya Maffioli
Episode 003: Helen Simmons
Episode 002: Grace Barber-Plentie
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