Animation’s potential for quick change is the focus of Footnote #19, as Chris and Alex go through questions of transformation via a 10-minute look at morphing. Discussions turn to the spectacle of fluid, flexible bodies in relation to more concrete states of being; connections to digital VFX as an enabling tool that articulates pristine images of fragmentation and disintegration that push at the boundaries of realism; the morph’s implied stability as it moves from one form to another; and the politics of selecting an identity in relation to queer images of mobility-in-performance.
**Fantasy/Animation theme tune composed by Francisca Araujo**
Chicken Run (2000) (with Lynn Ferguson)
WandaVision (2021)
Arrival (2016) (with William Brown)
Grave of the Fireflies (1988) (with Alex Dudok de Wit)
Dark (2017-2020) (with Nicolas Leu)
Space Jam (1996) (with Paul Wells)
Star Wars: The Last Jedi (2017) (with Helen O'Hara)
The Prince of Egypt (1998) (with Francesca Stavrakopoulou)
Flushed Away (2006)
Happy Feet (2006) (with Hannah Hamad)
Inception (2010) (with Todd McGowan)
Captain Marvel (2019) (with Trixter VFX Studio)
Animated Christmas Adverts (1951-2018) (with Malcolm Cook)
James Bond Title Sequences (1962-2015) (with Ed Lamberti) (Part 2)
James Bond Title Sequences (1962-2015) (with Ed Lamberti) (Part 1)
Christopher Robin (2018)
Sherlock Jr. (1924) (with Peter Adamson)
Roobarb (and Custard) (1974) (with Birgitta Hosea)
Rango (2011) (with Neil Brand)
Bright (David Ayer, 2017)
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