Composer Henry Jackman joins us once again for another All Access as we chat and discuss about a bunch of projects that have come out since the last time Henry was on All Access. We discuss scores such as Detective Pikachu, 21 Bridges, Jumanji: The Next Level, Extraction and more!
We dive deep into two of Henry’s most recent scores, which are Mosul and The Comey Rule. Henry talks about scoring a foreign language film that was written and directed by an American, as well as what enticed him to score the first dramatization of Donald Trump’s presidency. We discuss the balance you have to have when dealing with real-life events, and how tricky political dramas can be to score.
As usual, we branch into a multitude of other topics with Henry who always has so much great insight. You can check out Mosul on Netflix right now and catch The Comey Rule on Showtime.
A Film.Music.Media Interview | Produced & Presented by Kaya Savas
The Newton Brothers (Composers: The Haunting Of Bly Manor | Doctor Sleep)
Rachel Portman (Composer: ask the river)
Queenie Li (Music Production Coordinator: Bad Boys For Life | Mission Impossible: Fallout)
Rebecca Sugar (Creator: Steven Universe)
Chad Cannon (Composer: American Factory)
Nathan Johnson (Composer: Knives Out)
John Powell (Composer: How To Train Your Dragon 3)
John Lunn (Composer: Downton Abbey)
Michael Giacchino (Composer: Jojo Rabbit)
Hildur Guðnadóttir (Composer: Joker | Chernobyl)
Carl Thiel (Composer: Seis Manos)
Tim Wynn (Composer: Freaks)
Austin Wintory (Composer: Erica)
Bear McCreary (Composer: Godzilla | Child's Play)
Jasper Leak (Music Supervisor: Quincy)
Matthew Margeson (Composer: Rocketman)
Dean DeBlois & John Powell (Director & Composer: How To Train Your Dragon Trilogy)
Siddhartha Khosla (Composer: This Is Us)
Alan Silvestri (Composer: Avengers: Endgame)
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