We finally really begin Antony and Cleopatra, discussing Plutarch's interest in character, and Shakespeare's, and what makes a tragic character interesting since we know what the plot will be. Aristotle on pity and terror again: usually the protagonist or main is someone innocent or at worst someone like ourselves: not so in Macbeth. After which we start analyzing the opening scene, with comparisons to Lear and to Hamlet as well (on the quantification of love). Many corny jokes.
16 -- Lyrical Ballads. Ballads. Lyric. (English 1a)
Intro (1a) class 15: How to write. More Blake -- The Chimney Sweeper
Pope and then Blake (14th episode of Intro to Lit)
Lit 1, episode 13: Rape of the Lock
Into to Lit, episode 12: Last class on Paradise Lost: The real unreality of our lives
Lit 1, part 11: Invocation to Book 7; Calliope and Orpheus; the Fall
Intro to Lit 10: Catching up on Milton
Milton on free will; ordering of the story; invocation and voice; light
Intro to Lit 8: Shelley and Milton's sardonic God; moral judgment
More on the sublime: Burke and Satan
Lit analysis 6: First class on Paradise Lost = Blake and Shelley...
Intro to Lit 5: Lear, Tate, Addison, Johnson, Freud
Intro, class 4: Testing in Lear; parallax; doubling; the Fool
Shakespeare and window characters
Intro to lit 2: Love personified from Surrey to Bishop
Introduction to Literary Studies - 1: Carroll, Jonson, Yeats
26. Milton: freedom and necessity, the tyrant's plea
19. Last film class: Peeping Tom and lots of psychoanalytic talk about scopohilia
25. Some more on Paradise Lost
24. First class on Milton
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