The book Rorschach Audio: Art & Illusion for Sound, by author and installation artist Joe Banks, takes as its central metaphor the comparison between the perception of ambiguous speech-sounds, and the “projective” interpretation of the famous ink-blot tests devised by the Freudian psychoanalyst Hermann Rorschach in 1921.
With a nod to the model of perception proposed by Freud, Banks explores relationships between mechanisms of aural and visual perception, demonstrating a series of highly entertaining and sometimes bizarre psychoacoustic and optical illusions.
With a further nod to ideas proposed in Freud’s The Future of An Illusion, the lecture focusses on a critique of Spiritualistic and allegedly supernatural Electronic Voice Phenomena (ghost-voice) recordings, a theme wildly popular in contemporary sound installation art. Banks traces the illusions involved as far back as the artist generally recognised as the most important figure in the history of Western art, and reveals the role that relatively little-known wartime intelligence work with sound had on what is arguably the most important work of visual arts theory ever published.
Joe Banks produces the installation art and electronic music project Disinformation. Disinformation exhibits and performs internationally, has been the subject of over a dozen UK solo exhibitions - including a recent solo installation at Talbot Rice Gallery in Edinburgh, and has exhibited in group shows at Kiasma (Helsinki), CCCB (Barcelona), Kettle’s Yard (Cambridge) and The Hayward Gallery (London).
Sincerity and Freedom in Psychoanalysis 1: Analysts, Scholars, Detectives and Patients: Who is who in the Clinical Diary?
Sincerity and Freedom in Psychoanalysis: Opening the Diary
Wagner, Freud and the End of Myth 7: Tom Artin - The Ring in a Nutshell: A Glimpse at The Wagner Complex
Wagner, Freud and the End of Myth 6: Inge Wise - Die Walküre: A Tale of Oedipal Longings and Desires
Wagner, Freud and the End of Myth 5: Bryan Magee in conversation with Stephen Gee - Precursors of the Unconscious: Wagner and the Philosophers
Wagner, Freud and the End of Myth 4: Stephen Gross - Freud and Wagner: The Assault on Reason
Wagner, Freud and the End of Myth 3: Estela Welldon - The Chaste and the Driven: Power struggles in Wagner's Women
Wagner, Freud and the End of Myth 2: Gavin Plumley - Private Theatre and Hysterical Opera: Wagner’s influence in Freud’s Vienna
Wagner, Freud and the End of Myth 1: Anthony Cantle - Introductory Remarks
Whistleblowers: Political and Psychological Perspectives
The German Soul and Psyche in The Third Reich
Self Contained: Graham Music and Maria Walsh in conversation with Rebecca Fortnum
PROJECTIONS 3: Psychoanalytic interpretation of Polanski's Apartment Trilogy
Reading Anna Freud - Author's Talk:Nick Midgley
Self Contained :Rebecca Fortnum
Em Cooper in Conversation with Andrea Sabbadini
Interpreting Collections Day Symposium Part 7 of 7
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Interpreting Collections Day Symposium Part 5 of 7
Interpreting Collections Day Symposium Part 4 of 7
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