It’s a debate that’s all the rage. New data suggests that catalog recordings (anything released over 18 months ago) had begun to outstrip new music in the streaming economy. Is this the end of pop as we know it? Is it because the kids just don’t like culture? Is it because….the INTERNET? Well, maybe. But first we need to look at how we get those stats and dig into some quick boomer-listening habit history. From the vagaries of Tik Tok virality to millennials leaving the pop zone, a lot is going into this moment, and we’re here to speculate wildly about all of it.
The Great Music AI Contradiction (Live at Wavelengths Summit)
Blurred Lines and the Future of Copyright
Inside the Algorithm Factory: Music Recommendations (w/ Nick Seaver)
Streaming in the Dark: No One Knows Anything (w/ Meredith Rose)
Spotify Redux (Quiet Threats + Desperate Flailing)
From Houston to the World: The Political Economy of DJ Screw (with Lance Scott Walker)
Metadata Errors in the Lime Green Lamborghini (With Kristin Robinson)
Reggaeton Gets Sued
A.I. in Der Klub (And Your Next Playlist)
What Taylor Swift Tells Us About the Billboard Charts
The Rise and Fall of SST Records with Jim Ruland
Penny Fractions Live with Cherie Hu and Liz Pelly
Dan Ozzi on the Political Economy of Selling Out
The Music Catalog Acquisition Cool Down
Damon Krukowski on Unions, Streaming, and Musical Labor
The KLF: A Foolproof Way To Hit No. 1
Born to Sell: Springsteen’s Tickets + Meta Makes Moves
K-Pop Histories Beyond BTS (Featuring The Idolcast)
Kate Bush is Running Up Those Charts
Independent Labels and Electronic Music with Chal Ravens
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