The moon plays the ocean like a violin

2015-12-06

As with all mixes this one had a specific starting point or inspiration - the incredible new album from Max Richter - Sleep. It's 8 hours long! 8 hours! Here's a link to purchase the full version...http://www.deutschegrammophon.com/us/cat/4795267I'm a sucker for high concept projects so I was interested from the start. Add that to the fact that I am a fan of Richter's music and I knew I'd probably love it. And yup,...

As with all mixes this one had a specific starting point or inspiration - the incredible new album from Max Richter - Sleep. It's 8 hours long! 8 hours! Here's a link to purchase the full version...

http://www.deutschegrammophon.com/us/cat/4795267

I'm a sucker for high concept projects so I was interested from the start. Add that to the fact that I am a fan of Richter's music and I knew I'd probably love it. And yup, I do. It's the perfect combination of Richter's classical style with an ambient sensibility.

I knew I had to make a mix with tracks from the Sleep album. I decided to keep the whole mix in the classical realm. A lot of the tunes are new like the Besarin Quartet stuff. Some cuts I've been waiting to use for awhile now, like the John Luther Adams cut.

As much as I like the Max Richter tracks I think my favorite track in the mix is Pie Jesu. The cut is from The Wine of Silence by Andrew Keeling, David Singleton and Robert Fripp. The music is based on Fripp's soundscape series, guitar improvisations that use tape loops and echo and reverb. From there Keeling and Singleton scored the soundscapes for orchestra. They finally subjected the orchestral recording to further electronic manipulation. The result is transcendent. It's a beautiful, beautiful album.

The title of the mix comes from a favorite Andrew Bird song, Night Sky, and I thought it fit somehow. I really like the way each piece dissolves into the next on this mix. I hope you like it too.

Enjoy

T R A C K L I S T