Beginning of Act IV. More on Antony vs. "an Antony." The latter is an object in the world, has worldly being. The former is the extravagant, isolated subjectivity which is the tragic waywardness which is more and more where he is: in "the heart of loss." If extravagance -- waywardness, wandering outside of any world which is one's own, Binswanger's Verstiegenheit -- weren't more intense than worldliness, if things didn't get more intense as one loses everything, tragedy would be of no aesthetic interest. A brief adumbration of the difference between daemonization (for Macbeth) and extravagance (for Antony).
16 -- Lyrical Ballads. Ballads. Lyric. (English 1a)
Intro (1a) class 15: How to write. More Blake -- The Chimney Sweeper
Pope and then Blake (14th episode of Intro to Lit)
Lit 1, episode 13: Rape of the Lock
Into to Lit, episode 12: Last class on Paradise Lost: The real unreality of our lives
Lit 1, part 11: Invocation to Book 7; Calliope and Orpheus; the Fall
Intro to Lit 10: Catching up on Milton
Milton on free will; ordering of the story; invocation and voice; light
Intro to Lit 8: Shelley and Milton's sardonic God; moral judgment
More on the sublime: Burke and Satan
Lit analysis 6: First class on Paradise Lost = Blake and Shelley...
Intro to Lit 5: Lear, Tate, Addison, Johnson, Freud
Intro, class 4: Testing in Lear; parallax; doubling; the Fool
Shakespeare and window characters
Intro to lit 2: Love personified from Surrey to Bishop
Introduction to Literary Studies - 1: Carroll, Jonson, Yeats
26. Milton: freedom and necessity, the tyrant's plea
19. Last film class: Peeping Tom and lots of psychoanalytic talk about scopohilia
25. Some more on Paradise Lost
24. First class on Milton
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