Big Screen Symposium & Script to Screen
TV & Film
Have you ever found yourself confused by music rights, or grappling with decisions about soundtrack or score for your film, TV or online project? Wondering what the difference is between publishing rights and master rights?
Music can enhance visual expression when used well, setting a mood or atmosphere. But licensing agreements need to be negotiated and it can become complicated and expensive if you don’t plan well. This TALK will help you get your dream soundtrack by demystifying the jargon and giving some helpful tips to guide you about music choices, music rights, and how to effectively communicate with your composer.
Music supervisor Karyn Rachtman (Pulp Fiction, Boogie Nights, Moulin Rogue) and screen composer and music editor Samuel Flynn Scott (Phoenix Foundation, Boy, Hunt for the Wilderpeople, The Gulf) will chat to our Executive Director, Jackie Dennis about what they think filmmakers should consider when thinking about soundtrack and score.
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Big Screen Symposium 2020: Case Study with Sam Kelly and Vicky Pope - Savage
Big Screen Symposium 2020: In Conversation with Scott Ryan - Mr In-between
Big Screen Symposium 2020: NZ On Air Address
Big Screen Symposium 2020: Panel Discussion - Indigenising the Workflow
Big Screen Symposium 2020: Writing Masterclass with Sophie Henderson - Thick and Thin Skin
Big Screen Symposium 2020: Masterclass with Arielle Kilker - Storytelling for the docuseries format
Big Screen Symposium 2020: Masterclass with Sebastián Lelio - Filmmaker and Spectator
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