After an unplanned hiatus, we’re back with the wonderful Kij Johnson, who will be a guest of honour at this year’s World Fantasy Convention in Kansas City this coming October. Small Beer will publish a new collection of Kij's work, The Privilege of the Happy Ending, to coincide with the convention.
We discuss the challenges and opportunities of teaching fiction writing in workshops versus university creative writing programs, how the workshop and the reading group have become so important to new writers since the early days of Kate Wilhelm and Damon Knight’s Milford, the different problems of writing short stories, novellas, or novels, the balance between estrangement and immersion in stories, and Kij’s own current and recent work, which ranges from experimental fiction to stories that revisit older writers like Lovecraft and Kenneth Grahame.
As always, Kij is bristling with good ideas, and we could easily have gone on for another hour.
Episode 359: That Old Literary Divide
Episode 358: Science fiction, open borders, and porous boundaries
Episode 357: Library of America and the year's end...
Coode Street Roundtable 2.1: Annalee Newitz’s The Future of Another Timeline
Episode 356: Space opera, WorldCon, Campbell, and other unicorns
Episode 355: A short one
Episode 354: Influence, impact, the sense of wonder, and other critical missions
Episode 353: New projects and old books
Episode 352: A Surplus of Us
Episode 351: A Quick One
Episode 350: Hey, well how about that?
Episode 349: Sarah Pinsker on the road
Episode 348: Nebulas, Hugos, ereading and more
Episode 347: Charlie Jane Anders and The City in the Middle of the Night
Episode 346: Neil Clarke and the State of Short Fiction in 2018
Episode 345: Liza Trombi, Locus, and the Year in Review
Episode 344: Time, Cities and Moving to the Poles
Episode 343: Grand Masters and other Awards...
Episode 342: The Books of 2019
Episode 341: 2018 Year in Review
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