S3E60 Join us for a dissection of Mary Shelley's iconic novel, Frankenstein, the tale of an ambitious young Swiss scientist, who in the course of penetrating the deepest mysteries of nature, creates artificial life. Ash's special guest this week is Emily Ingram, theatre practitioner and writer who is currently working on a play based on Shelley's life.
You can find out more about Emily's work and her theatre company, Some Kind of Theatre, here:
https://www.somekindoftheatre.co.uk/
Access bonus content here:
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Title Music: 'Not Drunk' by The Joy Drops. All other music by Epidemic Sound.
Intro: The Bell Jar (1979)
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Creation (8 AD) by Ovid (The Metamorphoses, Book 1)
The Body Snatcher (1884) by Robert Louis Stevenson
Olalla (1885) by Robert Louis Stevenson
The Little Sister (1949) by Raymond Chandler
The Lady in the Lake (1943) by Raymond Chandler
The High Window (1942) by Raymond Chandler
Farewell, My Lovely (1940) by Raymond Chandler
The Flood (8 AD) by Ovid (The Metamorphoses, Book 1)
‘Full Fathom Five’ (1958) by Sylvia Plath
“Reading Shakespeare Through the Lives of Others”: Paul Edmondson on the Shakespeare Circle
The Tempest (1611) by William Shakespeare
‘Address to the Deil’ (1786) by Robert Burns
“She Never Wanted to Write Consoling Fantasies”: Miles Leeson on Iris Murdoch
The Green Knight (1993) by Iris Murdoch
‘Dulce Et Decorum Est’ (1917) by Wilfred Owen
“It Felt Right to Reunite Them”: Emily Ingram on Writing Mary Wollstonecraft and Mary Shelley
“Three-Martini Afternoons at the Ritz”: Gail Crowther on Sylvia Plath and Anne Sexton
The Bell Jar (1963) by Sylvia Plath
“A Plath for all Seasons”: Eilish Mulholland on Reading Sylvia Plath
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