S3E57 Ash is once again joined by Eilish Mulholland of the Plath and Co. podcast, to talk about Sylvia Plath. In a wide-ranging conversation they discuss Plath and Hughes' use of the occult, pandemic podcasting, the best biographies and fictional depictions of Plath and the hypnotising effect of hearing her voice.
You can find Eilish's podcast, Plath & Co, here:
https://soundcloud.com/user-611388248
Access bonus content here:
Ear Read This is creating Podcasts | Patreon
Title Music: 'Not Drunk' by The Joy Drops. All other music by Epidemic Sound.
Intro: A Birthday Present (1963)
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‘Kookaburra’ (1998) by Frieda Hughes
‘Address to Edinburgh’ (1786) by Robert Burns
“Ominous Whoosh”: John Thorne on Twin Peaks
“Plath’s Not a Phase”: Trish Grisafi on Breaking Down Plath
‘Stings’ (1962) by Sylvia Plath
“I Felt Like I Was Cheating on Plath”: Peter K. Steinberg on the Writings of Assia Wevill
‘The Swarm’ (1962) by Sylvia Plath
‘Electra on Azalea Path’ (1959) by Sylvia Plath
“My Mother’s Legacy is Secure”: Kate Levey on Brigid Brophy
The Snow Ball (1964) by Brigid Brophy
“Shakespeare’s Tutor”: Darren Freebury-Jones on The Influence of Thomas Kyd
The Birth of Merlin (1622) by William Rowley
The Spanish Tragedy (1587) by Thomas Kyd
Now Westlin Winds (1785) by Robert Burns
“A Festival that Focuses on Female Voices”: Sarah Corbett on Directing Plath Fest
‘November Graveyard’ (1956) by Sylvia Plath
“This Tender Substance”: Donnie Secreast on Plath’s Universal Element
‘Hardcastle Crags’ (1958) by Sylvia Plath
”It’s a Rigorous Demand”: Emily Van Duyne on Loving Sylvia Plath
‘The Jailor’ (1962) by Sylvia Plath
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