Have you washed your hands yet? Please take care of your selves and each other.
This week, we recorded remotely for the first time. After chopping it up about how COVID-19 has affected our relationships to poetry, we dive into a conversation with Paisley Rekdal from a few months ago about mythology, movement, and making difficult editorial choices.
PAISLEY REKDAL is the author of a book of essays, The Night My Mother Met Bruce Lee; the hybrid photo-text memoir, Intimate; and five books of poetry: A Crash of Rhinos; Six Girls Without Pants; The Invention of the Kaleidoscope; Animal Eye, a finalist for the 2013 Kingsley Tufts Prize and winner of the UNT Rilke Prize; and Imaginary Vessels, finalist for the 2018 Kingsley Tufts Prize and the Washington State Book Award. Her newest work of nonfiction is a book-length essay, The Broken Country: On Trauma, a Crime, and the Continuing Legacy of Vietnam. A new collection of poems, Nightingale, which re-writes many of the myths in Ovid's The Metamorphoses, was published spring 2019. Appropriate: A Provocation, which examines cultural appropriation, is forthcoming from W.W. Norton in Feb. 2021. She is the guest editor for Best American Poetry 2020. Her work has received a Guggenheim Fellowship, the Amy Lowell Poetry Traveling Fellowship, a Fulbright Fellowship, a Civitella Ranieri Residency, a National Endowment for the Arts Fellowship, Pushcart Prizes (2009, 2013), Narrative's Poetry Prize, the AWP Creative Nonfiction Prize, and various state arts council awards. Her poems and essays have appeared in The New York Times Magazine, American Poetry Review, The Kenyon Review, Poetry, The New Republic, Tin House, the Best American Poetry series (2012, 2013, 2017, 2018, 2019), and on National Public Radio, among others. She is a Distinguished Professor at the University of Utah, where she is also the creator and editor of the community web project Mapping Salt Lake City. In May 2017, she was named Utah's Poet Laureate and received a 2019 Academy of American Poets' Poets Laureate Fellowship.
Paisley Rekdal reads Brigit Pegeen Kelly's "Black Swan"
Taneum Bambrick reads Aria Aber's "The Only Cab Service of Farmington, Maine"
Taneum Bambrick + End of Tour Toddy
Oliver de la Paz reads Laura Jensen's "Bad Boats"
Oliver de la Paz + The Long Line
Bettina Judd reads from Aracelis Girmay's "The Black Maria"
Bettina Judd + JOY! Spritzes
Bill Carty reads Jennifer Chang's "Dorothy Wordsworth"
Bill Carty + Grecian Laurel 75
Jericho Brown reads Lucille Clifton's "The Lost Baby Poem"
Jericho Brown + The Bizzy Izzy
Live! with Natalie Scenters-Zapico
You missed us, we know
Hanif reads Angela Veronica Wong's "Elsa Was Stabbed To Death She Had Her Key"
Hanif Abdurraqib + Sprite
Erika Meitner reads Campbell McGrath's "Night Travelers"
Erika Meitner + Hibiscus on the Sleeping Shores
Ross Gay reads Gerald Stern's "The Dog"
Ross Gay + Spoiling Orchard
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