What is puppet animation, and are puppets a form of animation? The historical and theoretical implications of fantasy and animation’s relationship to puppet performance are the focus of Footnote #40, with Chris and Alex looking at the defining role of puppets in fantasy’s fête and carnival culture origins; the phantasmagoria of the puppet and the desire to express fantasy through puppetry; links to the earliest stop-motion shorts and rise of motion-capture technologies in an era of virtual puppetry; and whether evolving definitions of animation and its medium specificity are appropriate enough to encompass the volume and diversity of puppet forms.
**Fantasy/Animation theme tune composed by Francisca Araujo**
**As featured on Feedspot’s 25 Best London Education Podcasts**
Monster House (2006) (with Jane Batkin)
Footnote #30 - Franchises
Harry Potter and the Prisoner of Azkaban (2004) (with Rhianna Dhillon)
Footnote #29 - Transmedia
Arab Animation (1937-2015) (with Omar Sayfo)
Footnote #28 - Adult Animation
Everything Everywhere All At Once (2022) (with David Sorfa)
Footnote #27 - Surrealism
Harry Potter and the Chamber of Secrets (2002) (with Jyotsna Kapur)
Footnote #26 - The Cinema of Attractions
The Lord of the Rings: The Two Towers (2002) (with Daniel White)
Footnote #25 - Photorealism
Peppa Pig Revisited (with Sarah Ann Kennedy)
Footnote #24 - Hyper-Realism
The Mitchells vs. the Machines (2021)
Footnote #23 - Phantasy
Czech Animation (1946-2011) (with Adam Whybray)
Footnote #22 - Boiling
House of the Dragon (2021-) (with Kim Akass)
Footnote #21 - World-Building
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