This week Chad is joined by two experts, Natalie Weaver and Hannah Helms as they chat about Pretty Woman and the social and cultural implications and inferences within, specifically regarding prostitution and human trafficking. Through their thoughtful conversation, they dig through the depictions of characters within the film, and their relation to the people they're portraying, to see just what can be gleamed from the 1990 romantic comedy.
After the introductions, Chad asks his guests what the movie got right and what it got wrong (4:30), and then they get into reality vs. Hollywood narratives (15:15). Then they dig a little deeper into commercialism and white washing, and discuss race and class (21:40). Then on the lighter side of things, they rate the romance of the film (34:30) and end with some hypothetical popcorn with the president (55:15).
Show Notes:
Dignity Heath Human Trafficking Response Program
Siskiyou Anti-Trafficking Coalition
HEAL Trafficking
Walking Prey by Holly Austin Smith
Girls Like Us by Rachel Lloyd
And Life Continues by Wendy Barnes
The Rebecca Bender Initiative
Elle Snow & Game Over
Multnomah County Collaborative
Making of a Girl
Very Young Girls
Rachel Lloyd's personal story (She actually mentions Pretty Woman)
TheLifeStory.org (not sure if you want to add this or not. It's going to be an incredible compilation of survivor stories but will likely not launch until next month): http://thelifestory.org/
Each episode of The Resistance Rewind will appear on this Overthink feed once a month, so stay tuned for more in-depth film and political knowledge from Chad!
Also, make sure you're subscribed to the network so you don't miss a single episode of our various shows on art, media, and culture. New shows out every Monday and Friday!
Until then, you can find us on Twitter, Instagram, Facebook, and you can subscribe to our podcasts here: iTunes, Stitcher, & Google.
You can also email us, and find out even more on our website over at: www.overthinkpod.com
Thanks again for joining us!
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Merry Holidays!
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