Tune in for a passionate manifesto for the importance of including new music in the repertoire as well as a first-hand account of working with living composers from international concert pianist, Avguste Antonov. We also touch on keeping teaching real under Covid, the problems musicians are facing under the Brexit agreement with no passport visas for performing in the EU, as well as a snapshot of Avguste’s innovative programme for delivering online masterclasses with a difference (supported by Virtual Concert Halls).
If you want to find out more about Avguste as both a performer and a teacher you can find this on: https://avgusteantonov.com/
If you enjoy this conversation, please subscribe, check out our other great episodes, and even better leave us a review. You can also follow us on social media and sign up to our mailing list at www.polyphonyarts.com/mailing-list for updates and news about Music Works and Polyphony Arts.
1.15A - Classical music: the dark side! A singer tells all.
1.14: Stepping into your arts career.
1.13: Sexism and sexual harassment in the music industry
1.12: Redefining the concert space
1.11: Why music competitions don't work and how to fix them
1.10: why we need to start singing again.
1.9: Insights from an insider - Michael Poll on programming in the arts, & rhetoric in music
1.8: When can you call yourself a composer?
1.7: Cultured Communities: arts, communities and how we fund them.
1.6: Using the difficulty - how musicians are finding opportunities in challenging times.
1.5: Teaching, performing & recording under COVID with Steve Stirling
1.4: Valuing your skills as a musician, with a business mindset
1.3: Beyond Covid - education and inclusivity with bassonist, Prof. Fraser Gordon
1.2: Belonging vs Fitting In - inclusivity & the creative process with composer Ella Jarman-Pinto
1.1: A Manifesto for Classical Music
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