(Lucy) In Don Giovanni, Wolfgang Amadeus and Lorenzo da Ponte created opera's most famous antihero. Find out how Mozart and Da Ponte were influenced by the philosophical ideas and social concerns of their day in forging a tale of class conflict and libertinism, violence and seduction, private passions and public space... and find out why this opera without a genre had different endings in the two greatest cities of the Holy Roman Empire.
The Trotula and Medieval Gynecology
Tuxedo Park: Inside the Gate
The Woman and the 20-Pound Tumor
54° 40' or Fight: How a Latitude Line became a Rallying Cry
Ghosts of Christmas Past
Olga Nethersole and the Sapho Scandal
Martha, the Last Passenger Pigeon
The Un-Engagement of Jane Austen
History for Halloween II
History for Halloween I
History for Halloween III
Poison in Colonial India
The (Failed) Republic of Fredonia
Tycho Brahe: The Astronomer with a Copper Nose
The Rise of the British Spy Novel
The Murder of Sweden's King Gustav III
The Life of Beatrice de Planissoles
Desert Queens? Women at the Edges of Empire from Hester Stanhope to Gertrude Bell
The Life and Crimes of Caravaggio
Al Capone's Pineapple Primary
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