What is so special about special effects? What role does technological innovation play in their convincing construction of illusion? What distinguishes ‘special’ from ‘visual’ effects? In this Footnote episode, Chris and Alex play with ideas of special effects in relation to fantasy and animation, going back to early cinema and the animated fantasies (or fantastical animations) of Georges Méliès to think about the history of pro-filmic illusions captured on camera; practical vs. digital distinctions in the articulation and realisation of effects imagery; and the growing influence of post-production processes in the era of computer graphics.
**Fantasy/Animation theme tune composed by Francisca Araujo**
**As featured on Feedspot’s 25 Best London Education Podcasts**
Fantasy/Animation supports the #UCUstrike
Lady and the Tramp (1955)
Footnote #2 - Animation
Rio (2011) (with Michael Tanzillo)
Footnote #1 - Introduction
See You Yesterday (2019) (with Ebony Elizabeth Thomas)
Mickey‘s Christmas Carol (1983) (with Amy M. Davis)
Gremlins (1984) (with Catherine Lester)
Chinese Animation and the Shanghai Animation Film Studio (1956-1988) (with Yuanyuan Chen)
The Secret of NIMH (1982)
Lovecraft Country (2020) (with Bambi Haggins)
Shrek 2 (2004) (with Sam Summers)
By the Time It Gets Dark (2016) (with Felicity Gee)
The Land Before Time (1988) (with Mark Witton)
Sub-Saharan African Animation (1966-2013) (with Paula Callus)
The Golden Voyage of Sinbad (1973)
Bagpuss (1974) (with Chris Pallant)
Treasure Planet (2002) (with Ron Clements and John Musker)
The Hunger Games (2012) (with Tarja Laine)
Avatar (2009) (with Rupert Read)
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