What is so special about special effects? What role does technological innovation play in their convincing construction of illusion? What distinguishes ‘special’ from ‘visual’ effects? In this Footnote episode, Chris and Alex play with ideas of special effects in relation to fantasy and animation, going back to early cinema and the animated fantasies (or fantastical animations) of Georges Méliès to think about the history of pro-filmic illusions captured on camera; practical vs. digital distinctions in the articulation and realisation of effects imagery; and the growing influence of post-production processes in the era of computer graphics.
**Fantasy/Animation theme tune composed by Francisca Araujo**
**As featured on Feedspot’s 25 Best London Education Podcasts**
Footnote #9 - Sword and Sorcery
Your Name (2016) (Live at the British Film Institute)
Footnote #8 - Plasmaticness
Doctor Strange in the Multiverse of Madness (2022)
Footnote #7 - The Fantastic
Rogue One (2016) (with Jonathan Wroot)
Footnote #6 - Anthropomorphism
The Secret of Moonacre (2008) (with Lucy Shuttleworth)
Footnote #5 - High Fantasy and Low Fantasy
Contemporary Ukrainian Animation (with Joshua First)
Footnote #4 - Stop-Motion
Encanto (2021) (with Dolores Tierney)
Fantasy/Animation supports the #UCUstrike
Fantasy/Animation supports the #UCUstrike
Howl’s Moving Castle (2004) (with Brian Attebery)
Footnote #3 - Fantasy
Fantasy/Animation supports the #UCUstrike
Fantasy/Animation supports the #UCUstrike
Lady and the Tramp (1955)
Footnote #2 - Animation
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