In this episode, Dave and Andrew discuss the first solo piano work to ever win a Pulitzer Prize. And they try to answer the question–if these are "new" etudes, what are the "old" etudes? They also examine how Bolcom incorporates various styles and techniques into the etudes, and ponder the set's historical place among other etude collections.
If you'd like more information about William Bolcom, we recommend:
And if you'd like to read Dave's interview with Marc-André Hamelin (who premiered the entire set), you can find it here.
Episode 13 - 1955:Gian Carlo Menotti, The Saint of Bleecker Street
Episode 12 - 1954: Quincy Porter, Concerto for Two Pianos and Orchestra
EPISODE 11 - 1953: No Prize
EPISODE 10 - 1952: Gail Kubik, Symphony Concertante
Episode 9 - 1951: Douglas Moore, Giants in the Earth
Episode 8 - 1950: Gian Carlo Menotti, The Consul
Episode 7 - 1949: Virgil Thomson, Louisiana Story
Episode 6 - 1948: Walter Piston, Symphony No. 3
Episode 5 - 1947: Charles E. Ives, Symphony No. 3, "The Camp Meeting"
Episode 4 - 1946: Leo Sowerby, Canticle of the Sun
Episode 3 - 1945: Aaron Copland, Appalachian Spring
Episode 2: 1944 - Howard Hanson, Symphony No. 4 ("Requiem")
Episode 1 - 1943: William Schuman, Secular Cantata, No. 2, "A Free Song"
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