A mid-February night and you're out on an empty beach, for the cold sea air, and that feeling of wild emptiness. There's nobody about.
Past the silent hulk of a huge parked digger on caterpillar tracks, you reach a shoulder high timber groyne (a long, narrow structure built out into the water from a beach in order to prevent erosion.)
You pull yourself up and peer over, down into the gloom. The drop onto the beach beyond is too deep. But you don't turn back. Instead, you get yourself up onto the top timber beam, and sit, in a balanced position, and look out to sea.
With this bit of extra height you can really hear the width of the beach. The sea, and all the detail of its rolling waves. Their muffled thuds. their frothing crashes. The parnoramic rushing breakers that travel spatially, all the way from the far right to the far left of scene. Aural evidence of longshore drift.
Ten minutes later. Settled into the moment. Sense of time regulated not from within, but by the external passage of panoramic sound, you are still as a heron. Listening. Level and straight. Tuned deep, into the dynamic foaming of the intertidal zone.
*We captured this sound landscape photograph a few days ago whilst visiting Cooden Beach between Hastings and Eastbourne on the south coast of England. Only one aeroplane and one car are audible throughout this whole section of time, so we might be able to add Cooden Beach to Lento places with genuinely quiet horizons.
126 The seawall and the night patrolling curlews (quiet, long, sleep safe)
125 May rain in the Forest of Dean
124 Midnight waves by the sea fort at Weymouth (sleep safe)
123 A sound-view from Orcombe Point on the Jurassic coast
122 Forest bathing in the cathedral of trees
121 On Portland Bill
120 Secrets in the spring air - inland coastal country
119 Dawn chorus in the rain high in the Derbyshire hills
118 Lullaby sea by Nothe Fort (sleep safe)
117 Dartmoor birds through white noise mist
116 Sissing plantations in open country
115 Coastal city sleeping (sleep safe)
114 Crashing waves at Durdle Door
113 Spring’s here in mild valley
112 Suffolk Wood (part 12) - 7am to 8am
111 Soundscenes of estuary rain
110 Rain falls in Banfield Wood
109 Here at the river’s edge
108 Song thrush sings in twilight gales
107 Shellness bleak where land meets sea (best heard with time and headphones)
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