Chris and Alex once again draw on the expertise of Dr Peter Kunze (Tulane University) for this discussion of the form and function of the period critically and culturally known as the Disney Renaissance. Listen as they reflect on the complex and often contradictory place of the Renaissance as a crucial phase of renewal within Disney’s own internal history; the contribution made to the studio’s animated features by the repeating presence of key creative personnel; the influential role of Broadway upon Disney’s corporate synergy and the formal interplay between a ‘Broadway style’ and 1980s and 1990s cartoon aesthetics; and the cultural politics of the Renaissance as a phase of Hollywood animation that can be mapped onto Disney’s own multicultural negotiation of diversity and inclusion.
**Fantasy/Animation theme tune composed by Francisca Araujo**
**As featured on Feedspot’s 25 Best London Education Podcasts**
Fantasy/Animation supports the #UCUstrike
Lady and the Tramp (1955)
Footnote #2 - Animation
Rio (2011) (with Michael Tanzillo)
Footnote #1 - Introduction
See You Yesterday (2019) (with Ebony Elizabeth Thomas)
Mickey‘s Christmas Carol (1983) (with Amy M. Davis)
Gremlins (1984) (with Catherine Lester)
Chinese Animation and the Shanghai Animation Film Studio (1956-1988) (with Yuanyuan Chen)
The Secret of NIMH (1982)
Lovecraft Country (2020) (with Bambi Haggins)
Shrek 2 (2004) (with Sam Summers)
By the Time It Gets Dark (2016) (with Felicity Gee)
The Land Before Time (1988) (with Mark Witton)
Sub-Saharan African Animation (1966-2013) (with Paula Callus)
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Bagpuss (1974) (with Chris Pallant)
Treasure Planet (2002) (with Ron Clements and John Musker)
The Hunger Games (2012) (with Tarja Laine)
Avatar (2009) (with Rupert Read)
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