Fresh from their discussion of hyper-realism in the previous Footnote episode, Chris and Alex discuss ‘photorealism’ in this latest instalment - a term that denotes the aesthetic mimicking of lens-based media to create the appearance of a world as viewed through a camera. Listen as they discuss photorealism’s relationship to the animated illusion of pro-filmic activity; links with hyper-realism as a broader aesthetic category of representation; the role of computer-generated imagery (CGI) in crafting and re-conjuring indexical signs (lens flare; depth-of-field); and how the simulation of analogue by other means links to processes of ‘remediation.’
**Fantasy/Animation theme tune composed by Francisca Araujo**
Mary Poppins Returns (2018) (with Christian Kaestner and Frederikke Glick)
Ex Machina (2014) (with Andrew Whitehurst)
The Valley of Gwangi (1969) (with Astrid Goldsmith)
Corpse Bride (2005) (with Emily Mantell)
The Pirates! In an Adventure with Scientists! (2012) (with Richard Haynes)
Laputa: Castle in the Sky (1986) (with Robert Maslen)
Mr. Bug Goes to Town (1941)
Charlie and the Chocolate Factory (2005) (with Stuart Messinger)
Spider-Man: Into the Spider-Verse (2018) (with Simran Hans)
King Kong (2005) (with Barry J.C. Purves)
The Fellowship of the Ring (2001) (with Shaun Gunner)
Waltz with Bashir (2008) (with Bella Honess Roe)
Gulliver’s Travels (1939)
Pogles’ Wood (1965-1967) (with Simon Costin)
Aladdin (1992) (with Steve Henderson)
Peppa Pig (2004-) (with Richard Dyer)
The Hunchback of Notre Dame (1996)
Society for Cinema and Media Studies 2019 (Part 2)
Society for Cinema and Media Studies 2019 (Part 1)
Coco (2017) (with Eavesdropping at the Movies)
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