Composer Max Aruj sits down for a brand new Film.Music.Media conversation!
From getting his start working on Lorne Balfe's team to scoring hit thrillers like Crawl (co-scored with Steffen Thum) and his recent score to The Tank, Max has quickly stood out for his incredible versatility and unique voice as a musical storyteller.
For this chat we explore Max's background and path to composing, getting his foot in the door, working with Lorne Balfe, early lessons learned, branching out and scoring films on his own, finding his storytelling voice, and co-composing some projects with Steffen Thum.
For The Tank we look at what it takes to successfully create tension and score a creature feature, and why we as a society love the genre so much!
A Film.Music.Media Production | Produced & Presented by Kaya Savas
Christopher Young (Composer: Pet Sematary)
David Schwartz (Composer: Arrested Development | The Good Place | Veep)
Gabriel Mann (Composer: A Million Little Things | Modern Family)
Nathan Barr (Composer: The House With A Clock In Its Walls)
Nicholas Britell (Composer: Vice | If Beale Street Could Talk)
Diane Warren (Songwriter "I'll Fight" from RBG)
Christopher Willis (Composer: The Death Of Stalin)
All Access: Henry Jackman - Episode 2 (Ralph Breaks The Internet, The Predator)
Composer Interview: Rolfe Kent
All Access: Carter Burwell (The Ballad Of Buster Scruggs)
All Access: Tony Morales (Elena of Avalor / An Actor Prepares)
Composer Interview: Gabriele Ciampi (Hybrid)
All Access: Daniel Hart (The Old Man & The Gun)
Director/Composer Interview: John Carpenter (Halloween)
Composer Interview: Terence Blanchard (BlacKkKlansman)
All Access: Brian Tyler - Episode 3 (Crazy Rich Asians / Yellowstone)
Composer Interview: Lorne Balfe (Mission: Impossible - Fallout)
All Access: Steve Jablonsky - Episode 2 (Skyscraper)
All Access: Jacob Shea & David Fleming (Blue Planet II)
Composer Interview: Peter Boyer
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