Our Patreon patrons often surprise us. Our poll for April of 1998 included revered and critically acclaimed albums, but instead the votes went a surprising way. Stabbing Westward's third album Darkest Days, could (and was) written off in some circles as a Nine Inch Nails wannabe. In revisiting this, and other records there were not critical darlings in the 1990s, it is easy to see why. Following up a hit single (one-hit wonder?) on their previous record, the odds were against them pulling out another, especially while wrapping it all in a sixteen track, sixty-four minute concept album, in a genre (industrial rock) as pinned to the 1990s as grunge. But a funny thing happened, while lesser bands were layering oodles of synths and metallic guitars on top of mechanical drum beats, Stabbing Westward remember to write the hooks and keep it grounded in the more rock end of industrial rock. Sure, it's loud and abrasive one minute and whisper quiet serious the next, but with production master Dave Jerden assisting behind the board, the band manages to make it all in work despite the odds.
Intro - Save Yourself
12:15 - Waking Up Beside You
23:23 - Haunting Me
27:23 - When I'm Dead
33:13 - Goodbye
Outro - You Complete Me
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Collective Soul - Disciplined Breakdown | Album Review
Double Albums of the 90s | Roundtable
Widespread Panic - Bombs and Butterflies | Album Review
Swell - Too Many Days Without Thinking | Album Review
#547: Hash by Hash
#546: Make A Pest A Pet by The Age of Electric
#545: Lollapalooza in the 90s
#544: Throwing Copper by Live
#543:Golden Duck by Moler
#542: Maximum Sincere by Big Heavy Stuff
#541: Soundgarden in the 80s
#540: Spilt Milk by Jellyfish
#539: Killjoy by Shihad
#538: Abort by Tribe
#537: Are You With Me? by Cowboy Mouth
#536: Lo-Fi in the 90s
#535: Rotting Piñata by Sponge
#534: Pushing the Salmanilla Envelope by Jimmie's Chicken Shack
#533: Bring On The Juice by Hoss
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