Alexa is a technician or what you might formerly know as a projectionist at the BFI Southbank, as well as being an artist and academic working to highlight and practice with celluloid film. It’s quite a nerdy and technical chat, in the best way possible I think.
I knew very little about what it takes to project a film, despite having been to countless 35mm screenings at the BFI and having watched silent films on a projector at university, so it felt quite overdue to hear Alexa talk through the process. We also talk about how it feels to work in a part of the industry that has a bit of a sell-by date on it and can be quite exclusionary, as well as Alexa’s artistic work and what’s she doing to try and raise the profile of the profession.
I hope you learn something from this interview, more than anything. There’s a whole world that operates behind us in the projection room and I am really grateful to Alexa for letting me peek behind the curtain.
Episode 040: Jess Jones, Script Editor & Development Consultant
Episode 039: Natalie Samson, Head of Production at Into Film
Episode 038: Rebecca Day, Documentary Producer & Psychotherapist
Episode 037: Cate Kane, Head of Acquisitions, Curzon Artificial Eye
Episode 036: Nicole Dorsey, Filmmaker
Episode 035: Robyn Citizen, Programmer & Academic
Episode 034: Pamela B. Green, Director, Producer & Main Titles Designer
Episode 033: Elise McCave, Director of Narrative Film at Kickstarter
Episode 032: Margaret Boykin, Director of Film Development at Ubisoft
Episode 031: Dorota Lech, Lead Programmer at TIFF
SEASON TWO BONUS EPISODE (030): Live at Underwire Film Festival with Roxy Rezvany
Episode 029: Sarah Brocklehurst
Episode 028: Jasmin Morrison
Episode 027: Rowan Woods
Episode 026: Flore Cosquer
Episode 025: Sophie Powell
Episode 024: Ellen Evans
Episode 023: Rachel Pronger
Episode 022: Sima Gonsai
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