Baz Luhrmann’s “Elvis”, like all of his films, is an audacious fusion of sight and sound, and Wayne Pashley, the owner/co-founder of Big Bang Sound Design, has been working with Baz for more than 30 years. Credited as the re-recording mixer, sound designer and supervising sound editor on “Elvis”, Wayne is uniquely qualified to talk about the “sonic glue” that helps hold the whole construct together.
S17 - Ep 11 - Gen V - Film Editing
S17 - Ep 10 - Aftersun - Film Editing
S17 - Ep 9 - Hatching - Filming in Latvia
S17 - Ep 8 - Dungeons & Dragons - Visual Effects
S17 - Ep 7 - Jack Ryan - Production Design
S17 - Ep 6 - Twisted Metal - Costume Design
S17 - Ep 5 - Special Ops: Lioness - Score Composition
S17 - Ep 4 - KINO: Financial Inequities and the Future of Film
S17 - Ep 3 - The Menu - Assistant Directing
S17 - Ep 2 - Star Trek: Strange New Worlds - Cinematography
S17 - Ep 1 - Teenage Mutant Ninja Turtles: Mutant Mayhem
S16 - Ep 10 - Hellraiser (2022) - Production Design
S16 - Ep 9 - The Flash - Sound Editing
S16 - Ep 8 - The DGA Agreement: How They Got to Yes
S16 - Ep 7 - Beef - Costume Design
S16 - Ep 6 - A Nightmare on Elm Street 3: Dream Warriors
S16 - Ep 5 - The WGA Strike: Unions in Solidarity
S16 - Ep 4 - Babylon - Production Sound
S16 - Ep 3 - Quasi - Hair and Makeup
S16 - Ep 2 - The WGA Strike: Why It’s Happening
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