Art is more than imitating life – as the expression goes – it facilities; it communicates, it combats it. Articulate Theatre Company explores the role of the artist’s role in activism with the Art of Protest.
Articulating The Arts: The Art of Protest: April 3 – 6 (April 3 – 5 @ 8pm; April 6 @ 7pm) at TADA Theatre 15 W. 28th St, NYC, 2nd Floor. Tkts: http://www.articulatetheatre.com/ata-5-the-art-of-protest.html
Visual artists – as an ad or a picket sign – create images that stick in our collective minds and allow their visual to visualize change. Articulate will team playwrights with visual artists to create Articulating the Arts, Articulate Theatre Company’s signature benefit event examining other art forms through the lens of theatre. It brings together the ATC ensemble and guest artists with unique works of art to use as a springboard and source of inspiration for new theatre works. For past sessions, we’ve responded to classic paintings, folk music, children’s folklore, and more.
Today’s world has challenged us to look at how artists impact change in the world through protest images, as our playwrights create new theatre works in response to the art created to invoke change in our society and beyond: The Art of Protest!
Participating Playwrights: J. B. Alexander, Jaisey Bates, Thomas C. Dunn, Jeff Dunne, Elizabeth Gordon, Liv Matthews, Robin Rice, Scott C. Sickles, Judd Lear Silverman, and Bara Swain
Participating Directors: Janet Bentley, Tekla Gaughan, Michael Hagins, Katrin Hilbe, Brock Hill, Joan Kane, Brian Gillespie, Cat Parker, and Catherine Vargas
Participating Actors: Sarah Babb,* Grant Bowen,* David Palmer Brown,* J. Dolan Byrnes,* Laurence Cantor,* Joanne Dorian,* Arianna Ennis, Brad Fryman,* Michael Gnat,* Kylie Kelder, David Lamberton,* Sarah Okada, Denise Pence,* Eric Percival,* Briana Sakamoto,* Sharon Talbot,* Valerie Terranova,* Brittney Venable, and William Franke*
Participating Designer: George Allison (Scenic Design); Janet Bentley (Sound Design); Morry Campbell (Sound Consultant)
Articulate Theatre Company is committed to challenging and connecting audiences and artists with clearly structured work that is intelligent, thought-provoking, visually striking and timeless.
Articulate produces “mythical” theatre that is based around the three definitions of ‘articulate:’ clarity, structure and connectivity: challenging and connecting audiences and artists with clearly structured work that is intelligent, thought-provoking and visually striking.
ESSENTIAL-NONESSENTIAL: PART 50 - Bobbie Horowitz - She is a number ... #1
ESSENTIAL-NONESSENTIAL: PART 48 - Casey Hartnett: Time to Learn
ESSENTIAL-NONESSENTIAL: PART 47 - Jeff Frumess: the Philosophy of Fright
ESSENTIAL-NONESSENTIAL: PART 46 - Nannette & Robert: IRTE-tated!
ESSENTIAL-NONESSENTIAL: PART 45 - David Sabella: We're at war so CURTAIN UP!
ESSENTIAL-NONESSENTIAL: PART 44 - Edward Gusts: The Toil and Trouble of Adapting the Bard to Blood!
ESSENTIAL-NONESSENTIAL: PART 43 - Nick McAnulty: Capturing the THRILL
ESSENTIAL-NONESSENTIAL: PART 42 - Andrew Lorhenz: The Horrors of Movies
ESSENTIAL-NONESSENTIAL: PART 41 - Jared Masters: REAL
ESSENTIAL-NONESSENTIAL: PART 40 - André Vauthey: is there a doctor in the house?
ESSENTIAL-NONESSENTIAL: PART 39 - Chip Deffaa: A Familiar Tune
ESSENTIAL-NONESSENTIAL: PART 38 - Laurie Rae Waugh: Still Holding Down the Fort
ESSENTIAL-NONESSENTIAL: PART 37 - Robert Viagas: There will always be a Broadway
ESSENTIAL-NONESSENTIAL: PART 36 - Nicholas Thomas: Up Here, Down Under, EVERYWHERE
ESSENTIAL-NONESSENTIAL: PART 35 - Ziporen Yahav Hazum: Another Tour of Duty
ESSENTIAL-NONESSENTIAL: PART 34 - STEPHANIE SATIE: Surviving and Thankful
ESSENTIAL-NONESSENTIAL: PART 33 - Robert Liebowitz: Waiting and Watching
ESSENTIAL-NONESSENTIAL: PART 32 - Lee Adhemar G. Feldshon: Legal Ease in Tense Times
ESSENTIAL-NONESSENTIAL: PART 31 - Tony Anthony: Archiving
ESSENTIAL-NONESSENTIAL: PART 30 - Justice: Singing Praises
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