“The Flash”, the latest DC superhero to earn a solo outing on the big screen, may be a spectacle of visual effects, but Sound Editors John Marquis and Nancy Nugent Title are here to explain why the movie experience is affected as much by what you hear as what you see. The integration is key, but recognizing the contributions of sound can unlock a completely new understanding of the film.
S19 - Ep 7 - Manhunt - Costume Design
S19 - Ep 6 - Ripley - Score Composition
S19 - Ep 5 - Before I Change My Mind - Theater-Rooted Filmmaking
S19 - Ep 4 - Drugstore June - Cinematography
S19 - Ep 3 - Griselda - Makeup
S19 - Ep 2 - Sexy Beast - Producing and Editing
S19 - Ep 1 - Oppenheimer - Props at the Oscars
S18 - Ep 12 - 96th Oscars - Propmastering
S18 - Ep 11 - 96th Oscars - Original Song
S18 - Ep 10 - 96th Oscars - Original Score
S18 - Ep 9 - 96th Oscars - Film Editing
S18 - Ep 8 - 96th Oscars - Makeup and Hairstyling
S18 - Ep 7 - 96th Oscars - Cinematography
S18 - Ep 6 - 96th Oscars - Costume Design
S18 - Ep 5 - 96th Oscars - Animated Feature
S18 - Ep 4 - 96th Oscars - Production Design
S18 - Ep 3 - 96th Oscars - Visual Effects
S18 - Ep 2 - 96th Oscars - Directing
S18 - Ep 1 - 96th Oscars - Sound
S17 - Ep 11 - Gen V - Film Editing
Create your
podcast in
minutes
It is Free
The Sackhoff Show
Toon’d In! with Jim Cummings
Team Deakins
You Can’t Make This Up
Script Apart