Co-composers Christopher Lennertz and Matt Bowen sit down for a brand new Film.Music.Media conversation!
For this conversation we are spotlighting the collaborative process between co-composers, and what the process is for two composers to tackle a project together.
Chris and Matt are unique in that Matt has worked for Chris as an additional composer on various projects and has spent a good part of his early career learning from Chris as part of his music team. For Gen V, Chris knew it was the perfect project for him and Matt to tackle as co-composers.
You'll learn all about what Chris looks for when hiring people for his music team and how Matt used the early years working with Chris to learn techniques that he now applies to his solo projects. We also discuss the evolution of the score for The Boys and how that led to developing the sound for Gen V.
A Film.Music.Media & Impact 24 PR Production | Produced & Presented by Kaya Savas
Henry Jackman (Composer: Mosul | The Comey Rule)
The Newton Brothers (Composers: The Haunting Of Bly Manor | Doctor Sleep)
Rachel Portman (Composer: ask the river)
Queenie Li (Music Production Coordinator: Bad Boys For Life | Mission Impossible: Fallout)
Rebecca Sugar (Creator: Steven Universe)
Chad Cannon (Composer: American Factory)
Nathan Johnson (Composer: Knives Out)
John Powell (Composer: How To Train Your Dragon 3)
John Lunn (Composer: Downton Abbey)
Michael Giacchino (Composer: Jojo Rabbit)
Hildur Guðnadóttir (Composer: Joker | Chernobyl)
Carl Thiel (Composer: Seis Manos)
Tim Wynn (Composer: Freaks)
Austin Wintory (Composer: Erica)
Bear McCreary (Composer: Godzilla | Child's Play)
Jasper Leak (Music Supervisor: Quincy)
Matthew Margeson (Composer: Rocketman)
Dean DeBlois & John Powell (Director & Composer: How To Train Your Dragon Trilogy)
Siddhartha Khosla (Composer: This Is Us)
Alan Silvestri (Composer: Avengers: Endgame)
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