Following up episodes on hyper-realism and photorealism, this latest instalment completes the unofficial Fantasy/Animation ‘realism’ trilogy (!) by focusing on the history, politics, and aesthetic concerns of surrealism. Chris and Alex take a surrealist turn through the crisis of realism in the arts and the advent of photography; dream interpretation, psychoanalysis, and unconscious desires; postwar intellectualism, Salvador Dalí, and Dadaism; and how both fantasy and animation work in relation to surrealism’s political puncturing of the status quo, its claims to protest, and its affective assault on the senses.
**Fantasy/Animation theme tune composed by Francisca Araujo**
Chicken Run (2000) (with Lynn Ferguson)
WandaVision (2021)
Arrival (2016) (with William Brown)
Grave of the Fireflies (1988) (with Alex Dudok de Wit)
Dark (2017-2020) (with Nicolas Leu)
Space Jam (1996) (with Paul Wells)
Star Wars: The Last Jedi (2017) (with Helen O'Hara)
The Prince of Egypt (1998) (with Francesca Stavrakopoulou)
Flushed Away (2006)
Happy Feet (2006) (with Hannah Hamad)
Inception (2010) (with Todd McGowan)
Captain Marvel (2019) (with Trixter VFX Studio)
Animated Christmas Adverts (1951-2018) (with Malcolm Cook)
James Bond Title Sequences (1962-2015) (with Ed Lamberti) (Part 2)
James Bond Title Sequences (1962-2015) (with Ed Lamberti) (Part 1)
Christopher Robin (2018)
Sherlock Jr. (1924) (with Peter Adamson)
Roobarb (and Custard) (1974) (with Birgitta Hosea)
Rango (2011) (with Neil Brand)
Bright (David Ayer, 2017)
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