William Rose’s novel The Strange Case of Madeleine Seguin is set in the rich and decadent world of the intelligentsia in Fin de Siècle Paris.
The book centres on the institution of the Salpetriere hospital. In the book the Salpetriere has progressed from its previous incarnation as a 'warehouse' for societies undesirables to a kind of human museum filled with subjects for Charcot to study. Rather than a prison, the hospital has become a laboratory for the vivisection of the hysterical mind. As theories of hysteria and female madness morph from animalistic and anatomical degeneracy to those of psychological trauma, the doctors at the Salpetriere in the novel drift towards Freudian theory. One of these young doctors named Lamond writes a letter to Freud in which he describes the unconscious as 'a veritable Salpetriere of the psyche which harbours ideas and emotional ventures we can scarce dare even think of'.
The church is another reoccurring theme in the novel, and parallels are drawn illustratively between religion and a kind of hysterical theatre. Charcot draws parallels in his studies between the behaviour of various saints and of those in the grip of a hysterical attack. Indeed, the concept of possession is present both in the occult and quasi-religious rituals that were becoming popular in the Fin de Siecle and also in the theatrical hypnotism Charcot performs on his patients at the public lectures held in the Salpetriere for the titillation of the aristocratic intelligentsia. The figure of Charcot represents the conflict between science and religion, and the church is a sinister force in the novel, providing a steady undercurrent of menace and tension which drives the plot forward and captures the attention.
Another thread of the novel is the development of the school of symbolist artists. We are introduced through a young artist to the intellectual salons of the ‘Mardistes’, including the poet Mallarme. The excursions into the artistic Parisian demi-monde add to the atmospheric milieu and set the scene which allows us to better understand the world in which these events happen. Indeed, the novel raises an interesting question over the differences between hysteria and the decadent decay into neurasthenic self-absorption.
The novel beautifully illustrates the skilfully interwoven threads of hysteria, art, the occult, and the Parisian fin de siècle demi monde and intelligentsia. Tension builds with a steady bubbling undercurrent of devil worship and the impending threat of the femme fatale. Hysteria is explored in the context of these societal factors and ideals of femininity, and this brings to mind the role of these factors and our ideals in our modern concepts of mental illness.
Talk: House/Museum by Dr Anthony Hudek
Freud’s Collection: Passion, Loss and Recovery
Radio Schreber, Soliloques for Schziophonic voices
Maggi Hambling: On the Artist’s Couch
Hubris: The Road to Donald Trump, Power, Populism, Narcissism with David Owen
Words and Signifiers Still Matter - Yael Baldwin
Protest Psychosis: Race, Stigma, and the Diagnosis of Schizophrenia
The Enigma of the Hour: Artist’s Talk, Jennifer Higgie in conversation with Daniel Silver and Simon Moretti
Freud in Prison - Pamela Windham Stewart and Kelly
The Hidden Persuader
The Book You Wish Your Parents Had Read
David Lomas: A Language of Flowers: Surrealism, Psychoanalysis, and the Botanical Imaginary
Krzysztof Fijalkowski: The Question of Play Analysis: Surrealism, Psychoanalysis and the Game of Symbolically Functioning Objects
Martin Bladh: The Rorschach Text (reading)
Roundtable: The Private Life: Why we Remain in the Dark
Narcissus, Oedipus and the Persistence of Memory
Curator's talk: Dawn Ades in conversation with Darian Leader
Freud's Women Lisa Appignanesi in conversation with Susie Orbach
Conference: Solitary Pleasures in art and psychoanalysis- Open discussion end of session 4
Conference: Solitary Pleasures in art and psychoanalysis- Open discussion end of session 2
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