Blue Marine Foundation’s co-founder and former award-winning British film-maker George Duffield explains how overfishing is destroying the ocean’s biodiversity and its ability to store carbon yet is one of the world’s most solvable problems.
George hopes robust data gleaned from Blue’s partnership with scientists from Exeter University and Convex in the five-year Convex Seascape Survey will reveal how much carbon is stored in the seabed and he's confident the findings will provide a solution to help with runaway global temperatures.
Helen also hears some of George's favourite adventures as a diver and wildlife photographer - swimming with whale sharks and hammerheads in the Galapagos and diving under the ice with leopard seals in Antartica, which led to George winning the Natural History Museum's Underwater Photographer of the Year.
Healing in Cabilla’s Ancient Temperate Rainforest
Waterhaul - Transforming Harmful Ocean Plastic into Sunglasses
Physician & explorer Dr Jack Kreindler on putting more life into our years
Judith Tebbutt’s kidnap story of hope, resilience & survival
Dawa Geljen Sherpa on Classrooms in the Clouds
The Ultimate Seven Challenge with adventurer Oli France
Mark De-Lisser - Connecting the World Through Song
Artists Olly & Suzi’s Expeditions in the Wild Interacting with Endangered Species
Conductor Dalia Stasevska Using Her Profile to Help Ukraine
The Power of Mindset on the World’s Toughest Row
John McCarthy CBE on his role at Hostage International with Sir Terry Waite
YouTuber Geoff Marshall shares his YouTube success
Impressionist Jon Culshaw on playing long-form characters like David Bowie
Impressionist and Dead Ringers star Jon Culshaw on the changing face of satire
Dame Barbara Windsor’s widower on his dementia mission
Painter David Remfry RA on coordinating this year’s Summer Exhibition
Milliner to rock stars and royalty, Jess Collett on her passion for hats
BAFTA and Emmy-winning cameraman Doug Allan on climate change
Wildlife cameraman Doug Allan shares adventures on the ice
Kate Silverton on her ‘second act’ as a complex case child therapist
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