Aswad special with Tony Gad
Initially, the band produced music in the roots reggae vein, with members contributing songs individually and with Forde acting as the band's principal songwriter. The band's dynamic soon began to change however. Shortly after the release of their self-titled debut album in 1976, Hemmings left and was replaced by Tony "Gad" Robinson (the only time in the band's history where a departing member would be officially replaced by an incoming musician). The band then released their second studio effort, Hulet, in 1978, before Oban departed the band in 1979, with Robinson taking over the position of bassist as well as continuing his role as keyboardist. The following year saw Griffiths depart, leaving Forde as the band's sole guitarist. During this early period in the band's history they were distinctly different from Jamaican reggae acts, in that they wrote songs that dealt with the issues surrounding the experiences of black youths growing-up in the UK; such as "Three Babylon" and "It's Not Our Wish", and the powerful jazz-influenced instrumental "Warrior Charge".
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Naomi Yang - Galaxie 500, Magic Hour & Damon and Naomi
Alice Bag - The Bags, Alice Bag Band & Castration Squad
Play Dead - Mark ”Wiff” Smith
The Bridewell Taxis - Chris Walton
Frank Zincavage - Romeo Void
Tim Arnold - Jocasta
Wesley Doyle - Conform To Deform: The Weird And Wonderful World Of Some Bizzare
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The Frank and Walters - Paul Linehan
Romeo Void with Debora Iyall
Adele Bertei - Twist: An American Girl
Larry Stabbins - Weekend & Working Week
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Julia Gorton - NOWHERE NEW YORK
Geir Hornes - The Curious Chronicles of Villa Nellcote
Scrote - David Bowie, Adrian Belew & Peter Murphy
Doug Martsch - Built to Spill
Thalia Zedek - Live Skull, Uzi & Come
Eater with Andy Blade
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