Chris and Jody talk about the psychology of collecting gear. Whether it's hardware or plugins, why are you collecting these items and does it help your ability to create. Extra guitars, check. Extra compressors, check. The latest and greatest orchestral samples and do you need them. Does having too much gear become an endless search to figure out what the right item is for a given production? It's also not unlikely that there will be some nonsense discussed.
Deep Dive Into The Fairchild Compressor
Talkin' 'bout Percussion
Dialing In A High Gain Amp Sound
You Received Tracks To Mix, Now What?
Deep Dive Into Mastering Engineer George Leger III
Demystifying Recording and Writing Templates
What's Difference Between Mastering & 2-Bus Processing
How To Deal With Burnout
Does The Daw Really Matter
Busting Some Common Recording Myths
Giant Background Vocal Production
Sample Rates A Mini Dive
DI Guitar Recording Practices
Grand Overview of Compression
Phase Cancellation Where Did It Go?
Role of a Producer vs Role of a Mix Engineer
What is this mysterious Gain Staging
Anatomy of a Synth
Delay Delay Delay
DI Bass Recording Practices
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