ON BROADWAY

Interview with Rupert Holmes

I interview Rupert Holmes, known for his Tony Award-winning musical, The Mystery of Edwin Drood. I spoke to him, primarily, on his adaptation of the Gilbert and Sullivan musical, The Pirates of Penzance. Retitled Pirates!, the reimaged production, which played last year on Broadway, has the setting now in the French Quarter of New Orleans. The show infuses the score with jazz, Caribbean, and blues influences.

Stephen Sondheim’s Sweeney Todd

We welcome back Sondheim scholar Rick Pender, who talks about his new book, Stephen Sondheim’s Sweeney Todd: Behind the Bloody Musical Masterpiece. "An award-winning Sondheim expert dives into all facets of this unique, murder-filled masterpiece-its slimy roots, original production, characters from killers to lovers to bakers, soaring score, gripping storytelling, and lasting power."

Interview with Frankie Dailey

I speak with Frankie Dailey, the New Works Director at the National Alliance for Musical Theatre. The organization’s 37th Annual Festival of New Musicals will take place on October 23-24, 2025 at New World Stages in New York City.   The Festival features eight new musicals in 45-minute staged reading presentations in front of an industry-only audience. This event brings together theatre producers, presenters and developers from around the world to celebrate the future of these promising new musicals!

Interview with Rob Ruggiero

I speak with Rob Ruggiero, the Artistic Director of TheaterWorks Hartford, who is directing the 50th anniversary production of the Tony Award and Pulitzer Prize winning musical, A Chorus Line, at the Goodspeed Opera House in East Haddam, Ct.

Interview with Mike Hadge

I chat with Mike Hadge - comedy writer, content creator, producer and songwriter - about his musical Doofyland, where he wrote the book, music and lyrics. A brief description of the show: DoofyLand is a bawdy musical satire that explores how easily our happy place can become a cage and how its up to us to truly “embrace the enchanthood.” Featuring a score that echoes classic Disney composers with a pop-rock sprinkling.