We follow our previous episode on the god Pan with a second this week, delving even deeper into the creative and bizarre ways the figure has been embraced after his much publicized “death.”
Our first several minutes are devoted to literary explorations of Pan in the decades around World War I. Naturally we examine only writers providing the more fantastic or horrific examples, including the creator of the high fantasy genre Anglo-Irish writer Edward John Moreton Drax Plunkett, the 18th Baron Dunsany (aka Lord Dunsany). In The Blessings of Pan, he imagines ancient rites to Pan resurrected in the England of his day. If you like what you hear, you might want to have listen to another one of his stories narrated by Vincent Price here.
Lord Dunsany wrote The Blessings of Pan in 1928.Wilkinson also provides us a reading from “The Music on the Hill,” by writer Hector Munro, who wrote under the name “Saki”. There is a spoiler in the reading, but it’s pleasingly grisly. We make up for the spoilage by providing you this additional unsettling, darkly comic (to us) story by Saki, one in which a defiant young boy decides to provoke his caretaker by creating a religion around his ferret, whom he names “Sredni Vashtar.” As it turns out, the ferret proves to be a dreadfully vindictive god.
But I digress.
As it turns out, the idea of a return to pagan Pan worship in the Christian era written about by Dunsany and others, may be more than simply a matter of fiction. Our next segment deals with such a case. In 18th-century England, in the town of Painswick, England, a member of the gentry, one Benjamin Hyett, was known to have built “an Arcadian retreat” featuring a building known as “Pan’s Lodge.” You can have a look here at a contemporaneous painting of the lodge grounds and Hyett’s statue (one of two — the other met a curious fate).
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